Day: October 14, 2014

  • Rampage: Capital Punishment

    Rampage: Capital Punishment

    Rating: 3 out of 5.

    Wow. I don’t even know where to start with the messages in this film.

    Bill Williamson, the protagonist, is fed up—with the U.S. government, political corruption, systemic inequality, and the way the rich manipulate the law while the poor keep getting crushed. He doesn’t just say these things; he forces you to see them. His argument? That the government isn’t just influenced by money—it’s owned by it. Money is the law, and the system is rigged to keep power in the hands of the elite. Bill doesn’t just rant; he rewires your perspective on America—past, present, and future.

    And how does he deliver this message? By hijacking a news broadcast and unleashing an unfiltered, brutal manifesto. He tears into everything: healthcare, oil companies, war, political hypocrisy (calling out presidents like Washington and Obama), child casualties, and even pop culture distractions. It’s like he’s screaming every suppressed truth people have whispered about for decades.

    The film’s production? Solid but not groundbreaking. The action is standard—explosions, gunfights, nothing revolutionary—but honestly, I didn’t care. The message was too gripping to focus on technical flaws. Maybe they could’ve fleshed out Bill’s backstory more, but since this might tie into the first movie (which I haven’t seen), I’ll cut it some slack. Plus, the actor nailed the role—his intensity, his delivery, even his look was perfect. Character score: +1.

    Now, his methods? Absolutely extreme. But ask yourself: Would anyone have listened if he’d protested peacefully? How much do you really care about change? How far would you go to make it happen? Bill doesn’t just talk—he dares you to act. And while I didn’t agree with everything he said (let’s be clear, I’m not signing up for his manifesto), his arguments hit hard. As someone who already thinks about these issues, this movie was exactly what I needed.

    Fair warning: It’s violent. Bloody. Uncomfortable. But that’s the point—it’s supposed to shake you. If you can’t handle gore, harsh truths, or the sound of gunfire, skip it. But if you’re tired of sugarcoated lies and want a film that rages against the machine? Watch this.

  • 127 Hours (2010)

    127 Hours (2010)

    Rating: 3 out of 5.
    (more…)
  • The Giver (2014)

    The Giver (2014)

    Rating: 4 out of 5.

    Based on the acclaimed novel (which many say outshines the film), The Giver explores a world eerily similar to The Hunger Games and Divergent—but with a chilling twist. Imagine a society stripped of emotion, art, and even color. A place where people don’t understand love, music, or the vibrancy of a sunset because they’ve never seen it. Worse yet, they don’t even realize what they’re missing.

    (more…)
  • The Butterfly Effect (2004)

    The Butterfly Effect (2004)

    Rating: 4 out of 5.
    (more…)
  • Up In The Air (2009)

    Up In The Air (2009)

    Rating: 2.5 out of 5.

    “A film about a man ready to make a connection.”

    (more…)
  • Frank (2014)

    Frank (2014)

    Rating: 4 out of 5.

    “A mind-bending, genre-defying explosion of sound—and humanity.”

    (more…)
  • Source Code (2011)

    Source Code (2011)

    Rating: 3 out of 5.

    Source Code is one of those movies that starts with a killer premise and just runs with it.

    (more…)
  • Project X (2012)

    Project X (2012)

    Rating: 3.5 out of 5.

    Holy hell, this movie was absolute chaos—and I mean that in the best way possible.

    (more…)
  • 22 Jump Street (2014)

    22 Jump Street (2014)

    Rating: 3.5 out of 5.

    I haven’t laughed this hard at a movie in years. Like, actually had to pause it because I was wheezing. This is peak buddy-cop comedy—somehow even better than the first one, and that’s saying something.

    The plot? Basically 21 Jump Street but in college. Jenko (Channing Tatum) and Schmidt (Jonah Hill) go undercover (again) to bust a new drug called “WhyPhy” (which, yes, is exactly as stupid as it sounds). What follows is a ridiculous, self-aware, borderline-parody of college movies, bromance tropes, and even its own franchise. The fact that the movie knows it’s recycling the same premise just makes it funnier—like when Ice Cube’s Captain Dickson yells, “DO THE SAME THING AS LAST TIME! EVERYBODY’S HAPPY!”

    But what really makes it work? The chemistry between Hill and Tatum. Their “bro-ship” is the heart of the movie, and the way their dynamic gets tested (Jenko joining the frat bros, Schmidt falling for a girl) actually adds some real emotional weight—before they inevitably wreck everything in the most hilarious way possible.

    And the jokes? Relentless. From Schmidt’s terrible undercover name (“Jeffrakah”) to the entire spring break sequence (“MY NAME’S JEFF!“), this movie doesn’t let up. Plus, the end credits? Absolute genius. They mock every possible sequel idea (22 Jump Street: Medical School? 22 Jump Street: Space?!), and honestly? I’d watch all of them.

    Final Verdict: If you like comedies that don’t take themselves seriously (and can handle some very dumb but brilliant humor), this is a must-watch. It’s rare for a sequel to double down on the absurdity and stick the landing, but 22 Jump Street pulls it off.

    Best for: Fans of 21 Jump StreetThe Other Guys, or anyone who’s ever wanted to see Channing Tatum do backflips off a balcony.

    (P.S. The post-credits scene is essential. Trust me.)

  • The Nines (2007)

    The Nines (2007)

    Rating: 4 out of 5.

    Some movies entertain you. Some challenge you. The Nines? It dissolves your sense of reality, piece by piece, until you’re not even sure what you’re watching anymore—and I mean that as the highest compliment.

    (more…)